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Monthly View Wednesday, March 10, 2010
    February 2010 March 2010 April 2010
Sunday Monday Tuesday Wednesday Thursday Friday Saturday
9 February 2010
  1
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
  2
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
  3
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
Spandau Ballet In Concert In Florence
  4
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
14th World Congress Of Gynecological Endocrinology
Antonio Cornacchione ”Silvio C'e?” In Florence
  5
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
14th World Congress Of Gynecological Endocrinology
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
  6
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
14th World Congress Of Gynecological Endocrinology
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
10
  7
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
14th World Congress Of Gynecological Endocrinology
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
  8
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
14th World Congress Of Gynecological Endocrinology
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
  9
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
  10
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
AIPO Workshop
  11
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
AIPO Workshop
  12
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
AIPO Workshop
Cristiano De Andrè A Firenze
  13
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
Cristiano De Andrè A Firenze
Taste In Florence
11
  14
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
Taste In Florence
  15
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Salone Del Mobile Of Florence
Taste In Florence
4th International Conference On Safety & Environment In Process Industry In Florence
  16
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
4th International Conference On Safety & Environment In Process Industry In Florence
  17
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
4th International Conference On Safety & Environment In Process Industry In Florence
Irlanda In Festa In Florence
  18
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Irlanda In Festa In Florence
1st Interntional Congress Southern Eurpean Allergy Societies
  19
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Irlanda In Festa In Florence
1st Interntional Congress Southern Eurpean Allergy Societies
  20
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Irlanda In Festa In Florence
1st Interntional Congress Southern Eurpean Allergy Societies
12
  21
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Irlanda In Festa In Florence
  22
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Irlanda In Festa In Florence
  23
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
  24
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
  25
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
Conoscere E Curare Il Cuore
  26
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
Conoscere E Curare Il Cuore
  27
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
Conoscere E Curare Il Cuore
13
  28
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
Conoscere E Curare Il Cuore
  29
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
Saltimbanco. Cirque Du Soleil In Florence
  30
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
  31
Paris Capital Of Photography: 1920 – 40 At Museo Nazionale Alinari In Florence
De Chirico Selfportrait With Column And The Castelfranco Collection In Florence
Gerhard Richter And The Disappearance Of The Image In Contemporary Art- Exhibition In Florence
De Chirico, Max Ernst, Magritte, Balthus. A Look Into The Invisible In Florence
The Method And Talent. Igino Benvenuto Supino, First Director Of The Bargello (1896-1906) Of Florenc
 April 2010 April 2010 April 2010
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